35th National Jazz Award - Brass

35th National Jazz Award - Brass

The 35th National Jazz Award - Brass, will 6 finalists under the age of 36 battle it out for the prestigious award and a prize pool of $12k and a recording session at Pughouse Studios.

Judged by Mat Jodrell & Jordan Murray and with Mark Fitzgibbon (Piano), Ben Robertson (Bass) and Danny Fischer (Drums) as the backing band this promises to be a spectacular event.

This year the Awards have been moved to the Wangaratta TAFE campus with a smaller capacity, so be quick to secure your ticket. This event will sell out, tickets are selling fast.

Meet the finalists

Lachlan McKenzie

Lachlan McKenzie is a musician who has gained recognition both nationally and internationally for his formidable abilities as a jazz trumpeter and composer. Born and bred in Brisbane but Sydney-based since 2021, Lachlan has had the opportunity to perform & record with various well-known artists over the years. In 2023, Lachlan toured his quartet to Osaka, Japan to perform at the 25th annual Takatsuki Jazz Street Festival, and over the last two years Lachlan has also performed at leading jazz clubs in Seoul, South Korea and Bangkok, Thailand.

Lachlan’s recent album “Departures” was released on the ABC Jazz label earlier this year and has garnered critical acclaim and a 4-star review from Eric Myers who wrote: “The written heads are exceedingly hip, and their chord structures enable all improvisers to project strong individual personalities”.

Tom Avgenicos

Tom Avgenicos is a trumpeter and composer living and working between Muloobinba (Newcastle) and Gadigal (Sydney).

Avgenicos has emerged as a force in Australia’s creative music scene, described as “a bold new chapter in Australian jazz” (Sydney Morning Herald) and “the type of trumpeter who comes along once in a generation” (Limelight Magazine). He has performed with jazz elders including Mike Nock, Paul Grabowsky, Ten Part Invention and Barney McAll. Avgenicos has released six critically-acclaimed albums with his own led or co-led projects including Delay 45, Lauren Tsamouras & Tom Avgenicos, Avgenicos Brothers and Tuckerbox.

His work has been performed at the Sydney Opera House, Melbourne Recital Centre and MONA. His recent awards and recognitions include the Freedman Jazz Fellowship, Best in Music and Best in Dance at the 2024 Sydney Fringe Festival, APRA AMCOS PDA Finalist (2024 & 2025), Create NSW ‘Creative Steps’ (2025) and the 2025 ‘Made New’ Commission. Avgenicos’ latest release Ghosts Between Streams (Earshift Music, 2025) has been shortlisted ‘album of the year’ on bestofjazz.org and was selected as finalist at the APRA AMCOS Art Music Awards ‘Performance of the Year (Jazz)’. He received 3rd place at the 2017 National Jazz Awards.

Rhys Moore

Rhys Moore has rapidly established himself as one of the most exciting young trombonists on the contemporary jazz scene. Drawing inspiration from jazz luminaries such as J.J. Johnson, Wycliffe Gordon, and Trombone Shorty, his distinctive blend of jazz, funk, and New Orleans styles has captivated audiences across Australia.

A testament to his artistry, Rhys is the recipient of the prestigious Generations in Jazz James Morrison Scholarship (2025) and winner of the University of North Texas International Jazz Trombone Competition (2022).

This year, he has had the honor of performing alongside jazz greats Gordon Goodwin and Wayne Bergeron with the Australian National Youth Jazz Orchestra. He co-leads the Carger-Moore Big Band, which made waves on the main stage of the Manly Jazz Festival, and performs regularly with his funk band The Newts.

Beyond these projects, Rhys is an active performer nationwide, appearing both as a soloist and with established ensembles such as the Dan Barnett Big Band, George Washingmachine’s Little Band, The Crawfish Po’Boys, and the Birth of the Cool Orchestra. His infectious energy and innovative sound continue to bring jazz to life for audiences everywhere.

Currently in his first year of the Bachelor of Music degree at the Sydney Conservatorium of Music, Rhys is honing his craft and expanding his creative horizons. With his impressive achievements and dedication to pushing the boundaries of jazz, he is undoubtedly a name to watch in the years ahead.

Ben Harrison

Ben Harrison is a Naarm based trumpet player. He completed his Bachelor of music at the Victorian College of the Arts, and his honours in jazz improvisation at Monash University. Ben has studied with teachers such as Eugene Ball, Scott Tinkler and Paul Williamson, as well as shared the stage with names such as Dave Douglas, Maceo Parker, Allan Browne and many more. He has toured extensively both domestically and internationally, including five consecutive tours to Japan with his traditional jazz band ‘The Lagerphones’. Ben blends a large pool of musical influences into his approach to improvisation, which has helped him develop his own unique approach and sound to whatever music he is making.

Chris Vizard

Chris Vizard is a Melbourne based trombonist.

Born into a family of avid jazz listeners, Chris was lucky enough to grow up listening to the records of iconic Australian jazz luminaries such as Graeme Bell, The Red Onions, Bob Barnard and Vince Jones. This passion for jazz music inspired Chris to follow his dreams and move to the U.S.A in 2011 to major in Jazz Studies under the tutelage of renowned jazz trombonist Conrad Herwig.

Since returning to Melbourne, Chris has had the fortune to perform and record with the likes of The Cat Empire, Jet, Dean Lewis, Angus Stone, Baker Boy, Maceo Parker, Joe Camilleri and The Black Sorrows, Ed Kuepper and the Aints!, Wycliffe Gordon, Kenny Werner, George Garzone, Django Bates and Barney McAll.

Chris is also a member of the Horns of Leroy Brass Band and can be seen performing with them regularly at venues across the country.

Alexander Grace

Alexander Grace is a young musician who is gaining recognition as one of the emerging voices in jazz, trombone and composition in Australia. A recent graduate of the Sydney Conservatorium of Music, Alex was named on the Dean’s List of Excellence and was awarded the Patricia Long Scholarship. In 2024, he was one of four students selected to represent the Conservatorium in a performance tour of Vietnam.

Originally, from regional New South Wales and based in Sydney since 2021, Alex’s music is deeply influenced by the landscapes of his upbringing. His compositions focus on lyricism, melody, timbre, and groove, and reflect a broad listening practice that draws on a wide spectrum of genres including contemporary jazz, classical, avant-garde, and hip-hop.

Alex has performed and collaborated with respected jazz artists such as Jeremy Rose, Geoff Bull, Andrew Robertson and Paul Furniss. He performs frequently as a freelance musician across Sydney, contributing his musicianship to a diverse range of projects. He also leads two original ensembles, Neko 4tet & New Sun, with which he performs his original compositions. Alex has performed at the Sydney Conservatorium Jazz Festival, Manly Jazz Festival and Kiama Jazz Festival.

Alex is honoured and excited to be selected as a finalist for the National Jazz Awards.

The National Jazz Award Future Fund

In 1990, The National Jazz Award was created at the first Wangaratta Festival of Jazz and Blues for Artists below the age of 36.

The Award has been a major stepping stone for many great Australian Jazz Artists.

Along with the prestige, the Jazz award has always come with a cash prize. The Cash prize traditionally has always been allocated from philanthropic partners or from surplus cash from Festival shows.

It is no secret that running Festivals is becoming increasingly more difficult and expensive, thus the ability of the Festival to cover this cash prize year in year out is becoming increasingly more challenging.

In recent years, after several years of great generosity, our major award donor has moved on.

We are now seeking new Philanthropic support for the Award be it through a major donor or through several smaller donations.

Can you help?

Funds raised will:

  • Elevate prize value – recognising artistic excellence and providing tangible support to young musicians as they establish their careers.
  • Ensure high quality professional production and backing band – ensuring that finalists perform in an environment that reflects the quality and prestige of the Award.
  • Provide mentorship and authentic audience engagement – pairing finalists with established artists and offering meaningful, professional performance experiences that prepare them for sustainable careers.

Why your support matters:

Delivering this nationally significant award comes with rising costs and without donor support the opportunities we provide to these exceptional young artists would be limited.

Costs for NJA exceed $40k which include:

· Backing band

· Judging panel

· Accommodation for backing band, judges and finalists

· Venue Hire and Production

· Prize Money

· Marketing of the Award

While we do make some revenue from ticket sales and council spnosorship, the event is still put on at a considerable cost to the Festival.

By contributing, you help sustain a platform that has launched many of Australia’s leading jazz performers and ensure the next generation has the recognition, resources, and inspiration to thrive.

Together, we can safeguard the future of jazz and nurture the artists who will shape its sound for decades to come.

Donate to the National Jazz Award Future Fund

35th National Jazz Award - Brass

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